New documentary about Jensen, who designed grounds of Rosenwald’s Ravinia home

June 9th, 2014

A new documentary by filmmaker Carey Lundin, entitled Jens Jensen: The Living Green will be shown at Millennium Park in Chicago on June 19th, with a simultaneous broadcast on the Chicago area public television channel WTTW.

The film is about Jensen, a Danish-born landscape architect, naturalist and designer of many Chicago area green spaces. In addition to Chicago’s Garfield Park Conservatory and Columbus Park, Jensen designed two parks on the north shore connected with the Rosenwald family. We’ve written about them on this blog. Jensen designed the estate of Julius Rosenwald’s suburban home in Ravinia (which today lives on as “Rosewood Beach”) and was a close acquaintance of Augusta Rosenwald, who has a commemorative boulder in the town of Highland Park’s downtown pocket park, “Jens Jensen Park.”

Lundin’s film looks to be an excellent history of Jensen’s life that also brings out what his work can offer for those designing and improving today’s urban spaces. For more information about the screening in Chicago, go to jenjensenthelivinggreen.org.

Rosenwald connection at the National Gallery of Art

June 9th, 2014

Ever since the new Degas/Cassatt show opened at the National Gallery of Art here in Washington D.C. a few weeks ago, I’ve been meaning to check it out. The NGA came up recently on The Rosenwald Schools production when I interviewed Linda Levy, whose grandfather Lessing Rosenwald (JR’s first son) donated a substantial amount of art to the venerable gallery.


Lessing Rosenwald in later years
Photo credit: The estate of Nancy Salazar

Because I had two good reasons to visit the NGA this weekend I decided to make the trip with my editor, Marian Hunter. When I arrived at the gallery, I asked a tour guide where I might find Lessing Rosenwald’s contributions to the museum and she directed me to Room 75 upstairs.

It was only once I arrived at the “Lessing Rosenwald Room” that I realized his donated artworks were part of the wonderful temporary exhibition of works by Degas and Cassatt. Six pieces donated by Rosenwald have made their way into this show.

It’s great to know that Lessing Rosenwald’s contributions to the NGA remain vital and interesting to museum-goers and remain publicly available, as was his wish. Rosenwald also donated many materials to the Library of Congress in Washington D.C., and they have a “Rosenwald Room” that is set up to resemble Lessing’s reading room at “Alverthorpe,” his home in suburban Philadelphia (which is now a park belonging to the borough of Jenkintown, PA).

The Degas/Cassatt exhibition is open at the NGA until October 5th, so take the time to visit before then.

Maya Angelou, who will appear in The Rosenwald Schools, dies at 86

May 28th, 2014

The great American poet and memoirist Maya Angelou has passed away. The New York Times has posted an obituary that includes a video of Angelou delivering the inaugural poem at the 1993 swearing-in of President Bill Clinton.

According to the Times, Angelou had been in poor health for some time, but she appeared here in Washington last month at the unveiling of her portrait at the Smithsonian National Portrait Gallery. We covered the event on this blog.


Maya Angelou speaking in 2007
Photo credit: NPS via Wikimedia Commons

Angelou recorded an interview for the 1993 documentary entitled The Great Depression in which she described growing up under Jim Crow in rural Arkansas. One of the bright spots she talks about was the Rosenwald School she attended (the Lafayette County Training School in Stamps, Arkansas) where she began her love of reading. We are using parts of this marvelous interview in The Rosenwald Schools documentary.

Ta-Nehisi Coates on “The Case For Reparations”

May 27th, 2014

In a much-discussed new article in The Atlantic, Ta-Nehisi Coates makes a compelling case for reparations. The whole article is worth reading, but we took note of a specific passage about one Coates characters, Clyde Ross. Ross, who later became a housing activist in Chicago, was born in Clarksdale, Mississippi and yearned to attend his local Rosenwald School as a child:

Clyde Ross was a smart child. His teacher thought he should attend a more challenging school. There was very little support for educating black people in Mississippi. But Julius Rosenwald, a part owner of Sears, Roebuck, had begun an ambitious effort to build schools for black children throughout the South. Ross’s teacher believed he should attend the local Rosenwald school. It was too far for Ross to walk and get back in time to work in the fields. Local white children had a school bus. Clyde Ross did not, and thus lost the chance to better his education.

You can read more at The Atlantic. Coates will appear at sixth&i in Washington D.C. on June 12, 2014.

New interviews for The Rosenwald Schools – May in New York

May 14th, 2014

We added five great interviews to our project (the upcoming documentary The Rosenwald Schools) at a two day shoot last week in New York City. First up was George C. Wolfe, Tony Award-winning playwright and director, known for Broadway productions like Bring in ‘Da Noise, Bring in ‘Da Funk, last year’s Nora Ephron-written Lucky Guy and the 2005 HBO film Lackawanna Blues.

FEROCIOUS CONFIDENCE

Wolfe was born in Frankfort, the capital of Kentucky, a state where over 150 Rosenwald Schools and schools had been built with the support of the Rosenwald Fund. By 1932, over 100,000 African American schoolchildren had been educated in a Kentucky Rosenwald School. Wolfe, who was born in 1954, was part of the generation after the Rosenwald Schools’ biggest impact. By the time he started school, the Rosenwald-funded school in his community had been replaced with a more modern building where his mother was a teacher. The school Wolfe attended was nonetheless officially known as the Rosenwald School, probably in recognition of the importance of the previous school, which was still extant when Wolfe was a child. Wolfe treasures his time at “Rosenwald,” and he shared some of his formative experiences there with us. For example:

It became the mission of all the teachers at Rosenwald to make sure we were fortified and that we were confident and that we were able to go forth into the world. I remember at one point we were invited to perform at this other school, and we were singing this song. And I remember very specifically the lyrics: “These truths we are declaring, that all men are the same. That liberty’s a torch, burning with a steady flame.” And [our principal] told us that when we got to the line, “That liberty’s a torch, burning with a steady flame,” if we sang it with full conviction, we would transform all the energy in the room, we would cause all the white people in the room to shed their racism. So I remember very specifically us singing this song, “These truths we are declaring, that all men are the same.” And then we got to this line and we practically screamed it: “That liberty’s a torch, burning with a steady flame.” And it wasn’t so much that it happened, the amazing thing about that story for me is that we believed it. I’ve gone on to work in theater and film and to become a writer, and her saying that to me, to us, at that time lives inside of me to this very day and informs the kind of work that I do and the kind of work that I believe in. In many respects I received the grounding or the nurturing or the watering of the seeds that I became at that school, from those extraordinary teachers, who were all so committed and so dedicated and so ferociously involved in making the students feel special. And I don’t think I would become the person I became had I not gone to that school.


George C. Wolfe with Aviva Kempner
Photo credit: The Ciesla Foundation, May 6, 2014

“GENERAL MERCHANDISE”

Next up, we filmed a granddaughter and two great-granddaughters of Julius Rosenwald. First we interviewed Elizabeth Varet, daughter of William Rosenwald, the youngest child of five born to Julius and Augusta Rosenwald. Varet related a funny story that we first read about in Peter Ascoli’s biography of Julius Rosenwald about J.R.’s service in World War I. Along with some other business magnates, Rosenwald moved to Washington during the war and advised the federal government on procurement for the troops, taking a salary of a dollar per year. In 1918, he sailed to Europe and toured the U.S. military camps in France dressed in military fatigues, but with no insignia or marking of rank. According to Ascoli, J.R. was uncomfortable in the uniform and often used it to get a laugh in the opening remarks of his speeches to the troops.


Aviva Kempner with Elizabeth Varet, granddaughter of Julius Rosenwald
Photo credit: The Ciesla Foundation, May 6, 2014

Toward the end of J.R.’s trip, he crossed paths at a camp with Secretary of War Newton D. Baker. Early one morning, Secretary Baker was meeting with the various military personnel at the camp. Elizabeth Varet picked up the story there:

This is told by my grandfather: as Secretary Baker came down the aisle, he said that each general should step forward, salute and introduce himself – “I’m General So-and-so.” And then they came to my grandfather and as a dollar a year man, a businessman, he didn’t have any insignia. And he stood forward and said, “I am General Merchandise.”

This line got a big laugh and became a family story for years to come. Although Rosenwald never served in combat, he proved extremely valuable in his advisory capacity and by all accounts was a hit at the French camps he visited in 1918. At the National Archives, we recently came across a silent film produced by the Department of Defense that captured one of Rosenwald’s speeches to the troops. Since it’s so rare, it’s always exciting to find footage of Rosenwald, but we typically can’t share it on the blog due to copyright concerns (although last April we shared another brief glimpse of J.R. found at the National Archives). Here’s JR addressing an unknown U.S. encampment in France:


From “Activities and Reviews at Headquarters S.O.S., Tours, France, 1918-1919″
Credit: NARA Local Identifier 111-H-1448

THE BOOK COLLECTOR

Each of Julius and Augusta Rosenwald’s children went on to achieve significant things in their lives. Elizabeth Varet’s father William helped three hundred members of the extended Rosenwald family in Europe escape the Nazis during World War II. Marian Rosenwald Ascoli and Adele Rosenwald Levy devoted their lives to charitable causes; Marion to health services for children and Adele to the Museum of Modern Art and supporting Holocaust survivors through the United Jewish Appeal. And Edith Stern was a major supporter of the cause of Civil Rights for African Americans in New Orleans, as we learned from our interviewee, Anne Hess, and from Cokie Roberts, who we interviewed last September.


Linda Levy, granddaughter of Lessing Rosenwald
Photo credit: The Ciesla Foundation, May 6, 2014

Perhaps the most well-known of the Rosenwald children, however, was their eldest, Lessing Rosenwald. Lessing, who was an avid collector of rare books, prints and engravings, is remembered today for the collections he donated to the Library of Congress and the National Gallery of Art in Washington D.C. His invaluable donations include the Giant Bible of Mainz, drawings and engravings by Albrecht Dürer and William Blake and etchings by Rembrandt.

Lessing had 19 grandchildren, most of whom grew up in the Philadelphia area where he spent most of his adult life. We spoke to one of his grandchildren, Linda Levy, who had many fond memories of visiting her grandfather at his home in Jenkintown, a suburb north of Philadelphia. Linda mentioned that Lessing did work at Sears (at their Philadelphia plant) but that his real passion was rare book collecting. Lessing always told his grandchildren he felt very fortunate to be able to make his life’s work something he loved. As Linda put it, Lessing

…greatly respected, greatly admired the books that he had and the prints. When I saw my grandfather Lessing take a book out of the case, it was with such love, such reverence, admiration, respect for this artifact. The books and prints were in very good hands when they were in Lessing’s hands.

The interview shoot was a reunion of sorts for the three Rosenwald descendants. Linda and Elizabeth hadn’t seen each other in awhile and I was glad they got a chance to catch up and discuss their remarkable family tree.


Elizabeth Varet and Linda Levy
Photo credit: The Ciesla Foundation, May 6, 2014

“ROSENWALD SCHOOLS” IN LIBERIA

The third Rosenwald descendant we spoke with was Anne Hess, the granddaughter of Edith and Edgar Stern. Anne shared stories about her grandparents’ progressive support for voting rights in New Orleans during the 1930s and 1940s, but her own experience following in the footsteps of her famous great-grandfather, Julius Rosenwald, caught our attention:

[Julius Rosenwald] viewed education as the path to equality. In addition to that, he viewed one of the responsibilities of wealth as doing responsible things with it. About five years ago, I had the opportunity to help with an effort to build more schools in Liberia. The method that my great-grandfather used was that the community in the South had to put the land up, had to want to have the school there and had to participate in making the school a reality. In Liberia, they had the same model without knowing that it was connected to my great-grandfather. The community had to identify the property, they had to be willing to oversee the construction of the schools and then the government would provide the funding for the teachers and the materials. I went around to my various family members, cousins of which I have many, and raised enough money for a school in Liberia. There’s a Rosenwald School in Northern Liberia, and to this day it operates and serves children in a very rural area.

It’s inspiring to see that this kind of philanthropy that Julius Rosenwald innovated, built on matching grants and community involvement, still works today.


Aviva Kempner with Anne Hess, granddaughter of Edith and Edgar Stern
Photo credit: The Ciesla Foundation, May 6, 2014

THE “ROLLING STORE MAN”

Our final interviewee was Eli Evans, author of several books on the Jewish experience in the South. Eli painted a picture of the history of the “special relationship” between Jews and blacks in Southern states. After talking about the tragic Leo Frank case (which resulted in the lynching of a Jewish factory manager) and Civil Rights partnerships between Jews and blacks, Eli went back to the very beginning of their interactions, when Jewish peddlers and shopkeepers began to do business in the 19th century South.

Slaves who had been mistreated often by whites, [began] discovering a white man who was different than any other they’d ever met. He spoke with an accent, he came to them to sell and be kind to them. He did not own slaves, he had never owned slaves. He came to serve and he also brought news from elsewhere. Like a visitor, he brought trinkets for the children, and everybody was excited when he came. A black writer whose parents had been slaves told me that the name for the Jews who came was the “rolling store man,” because he drove horses in a carriage. It’s a wonderful image to me: you can see the people running out of the house, kids running out of the house saying, “The rolling store man is here.” There was a relationship, there’s no question about it, a relationship on both sides. There’s stories of [Jewish peddlers] who left their kosher cooking gear with the same family every time because they knew they would come by there to spend the night and they needed that to eat with. It’s sort of wonderful story, but it’s true also. It was one of the elements in the development of the relationship between blacks and Jews which became a very special one through history.


Aviva Kempner with Eli Evans
Photo credit: The Ciesla Foundation, May 6, 2014

Thanks to our great interviewees and the new crew we worked with: Roger Grange, Dan Bricker and Judy Karp.

Dramatic soprano was influenced by Marian Anderson at a young age

May 14th, 2014

Beloved American opera singer Jessye Norman recently released her memoir, Stand Up Straight and Sing!, which tells of her amazing life story and the people who inspired her to greatness.

Born in 1945, in Augusta, Georgia, she became interested in singing after listening to recordings of Rosenwald fellow Marian Anderson. As a teenager she took part in a Philadelphia vocal competition named after Anderson (a Philadelphia native) where Norman received an offer for a full scholarship to Howard University in Washington D.C. Like Marian Anderson, she began her singing career in Europe but went on to achieve international fame.

I had the pleasure of hearing a lovely discussion with Ms. Norman and briefly meeting her at a book signing hosted by Darren Walker, head of the Ford Foundation during my recent trip to New York. Here’s a photo of us together:


Jessye Norman and Aviva Kempner
Photo credit: The Ciesla Foundation, May 2013

Last month, Ms. Norman performed as part of a Marian Anderson tribute concert at Washington D.C.’s Constitution Hall, the very venue that Anderson was barred from appearing in back in 1939.

Chance meeting with the great-great-grandson of famed peddler philanthropist

May 14th, 2014

And I don’t mean Julius Rosenwald.

I was at a dinner party Sunday night and was discussing the new work in progress of The Rosenwald Schools which is all about Julius Rosenwald’s father, Samuel, who worked as a pack peddler when he first arrived in Baltimore in the 1850s. Because of this great story, mid-19th century Jewish peddlers are a central subject in the new work in progress (which premiered here at the Washington D.C. JCC on April 13th). One of the guests at the dinner party, Art Allen, said his great-great-grandfather had been a peddler of some renown, and went on to describe a photograph of him, Mr. Isaac Wolfe Bernheim, as a young pack peddler in Kentucky.

It didn’t take long before I realized that I knew this photo well and had actually included in the peddlers section of my new work in progress. I first encountered the image on the cover of Dr. Hasia Diner’s book A Time for Gathering: The Second Migration, 1820-1880. Dr. Diner will be in the film, describing Samuel Rosenwald and the fascinating trade of the Jewish peddler. The original photograph lies in the Archives and Special Collections at the University of Louisville, and we licensed it from them for use in The Rosenwald Schools.


A Time for Gathering: The Second Migration, 1820-1880

Like Samuel Rosenwald, Bernheim quickly made his way out of the profession of peddler and became a very wealthy man who established the the Bernheim Arboretum and Research Forest near Louisville, Kentucky. Art tells a colorful version of his great-great-grandfather’s story, which I’ll share with you here with his permission:

As for I.W., he was cranky and short and settled in Louisville after creating his whiskey business in Paducah, Ky., where he and a former Civil War vet called their whiskey I.W. Harper. Last I heard it was popular in Japan. I heard a lot of stories about I.W., many of which may even be true. Someone told me that when Prohibition hit, I.W. sold the whole business. He went into philanthropy and became an advocate of extreme assimilation, once holding a debate with Rabbi Stephen Wise over his (I.W.’s) proposal to change the Sabbath to Sunday and rename synagogue “church.” He committed suicide at age 95 in 1945 by jumping out of the window of a hotel in San Francisco. He left $1 million to each of his five kids, who fought over the money. They were known in Cincinnati circles as “the battling Bernheims.” One of his sons became a famous Johns Hopkins surgeon — Bernard Burnham (many of the kids WASPified their names); a skinny little grandson everyone called Tubby Burnham created Drexel Burnham Lambert. He died a few years ago.

Many thanks to Art for sharing this wonderful coincidence with me.

Arthur Allen is an editor at Politico and a freelance writer in Washington D.C. He’s the author of Vaccine: the Controversial Story of Medicine’s Greatest Lifesaver (WW Norton, 2007), Ripe: The Search for the Perfect Tomato (Counterpoint, 2010) and The Fantastic Laboratory of Dr. Weigl (WW Norton, July 2014).

Edit, May 28, 2014: After reading this blog post, one of our recent interviewees, Rabbi Howard Berman shared some more information about Bernheim with us. Isaac Bernheim endowed the first library building on the campus of America’s first rabbinical seminary, the Hebrew Union College in Cincinnati. This library became the home of the American Jewish Archives in 1948 and the original structure is still part of the archives today.

Valerie Jarrett on her mother, Barbara Bowman, for Mother’s Day

May 14th, 2014

Sunday’s Washington Post had a lovely set of columns by women from Washington, and elsewhere, writing about their mothers. Among women like D.C. police chief Cathy Lanier and Rep. Jackie Speier, there was Valerie Jarrett, senior adviser to President Obama.

Ms. Jarrett talks about respecting her mother, Chicago educator Barbara Bowman, for her promotion of early childhood education since the 1960s. “I feel that I stand on her shoulders,” she writes, complimenting Ms. Bowman for unapologetically choosing to be a working mother in spite of criticism and admiring her steady navigation of the inevitable household issues of marriage.

Barbara Bowman is a professor, author and expert on early childhood education. The daughter of Robert Rochon Taylor, she grew up in the Michigan Boulevard Garden Apartments, Julius Rosenwald’s groundbreaking housing project for African Americans on Chicago’s South Side. Ms. Bowman speaks warmly about growing up in the comfortable, expansive building in our upcoming documentary, The Rosenwald Schools.


Barbara Bowman, talking to us about the Rosenwald Apartments
Photo credit: The Ciesla Foundation, September, 2011

Take the time to read about Barbara Bowman and other remarkable women in Ms. Jarrett’s, and the other columns, at the Washington Post.

Rosenwald Schools spotlight: Pender County, North Carolina

May 13th, 2014

Residents of Pender County, along with filmmaker Claudia Stack (http://www.underthekudzu.org/) and the Historic Wilmington Foundation are on the move recently, commemorating and sharing the history of the Rosenwald Schools in their part of North Carolina, a rural county north of Wilmington. North Carolina was the state that built the most schools with the Rosenwald Fund’s assistance and Ms. Stack has said that Pender County has perhaps the most extant Rosenwald Schools in the state.

In April, Ms. Stack joined Glen Harris at Poplar Grove Plantation in Scotts Hill, North Carolina to talk about the impact of the Rosenwald School movement in the South. Tickets are on sale now for a May 31st bus tour organized by Ms. Stack, the Canetuck Community Center and the Historic Wilmington Foundation.

Here’s Ms. Stack talking about the Rosenwald school building program, North Carolina’s Rosenwald Schools and her film, Under the Kudzu:

This is the second annual celebration and tour of the area’s Rosenwald Schools. In March of last year, Stephanie Deutsch (author of You Need a Schoolhouse and a consultant on our upcoming film, The Rosenwald Schools) joined a panel discussion at University of North Carolina Wilmington about the area’s Rosenwald legacy and also visited the Canetuck Community Senior Center, a lovely restored Rosenwald School in Pender County.

Wilmington’s StarNews also wrote a recent article about a community center in the Pender County town of Willard that has served the area since the 1980s. It’s in a building that was not funded by the Rosenwald Fund school-building program, but followed the plans for schools provided by the Rosenwald Fund. There are a surprising number of historic schools out there that aren’t “Rosenwald Schools” but used the Rosenwald plans. We blogged last year about one in South Carolina, the beautifully restored Jane Hamilton School on Daufuskie Island. The Willard Outreach community center will be part of the bus tour on May 31st.

The area has another connection to the Rosenwald story as well. Robert Robinson Taylor, founding architect of Tuskegee University, grew up in Wilmington in an integrated community made up largely of recently freed slaves. Taylor of course went on to design many of the original buildings on Tuskegee’s Alabama campus, head the school’s heralded architecture department and contribute to the architectural plans for the Rosenwald Fund’s school-building program across the South, but his years in Wilmington were formative for him. According to R.R. Taylor’s granddaughters Barbara Bowman and Lauranita Dugas, who we interviewed for The Rosenwald Schools, Taylor’s father Henry was not freed until the Civil War, but had been a semi-independent contractual builder in Wilmington even before he achieved his freedom. The integrated community in Wilmington provided an excellent upbringing for Henry Taylor’s four children, three of which attended Howard University in Washington D.C. Robert Taylor, who befriended a schoolteacher and architect from Boston, went to MIT instead, got a degree in architecture and worked at a firm in Cleveland before he was recruited by Booker T. Washington to design Tuskegee’s campus.


Robert Robinson Taylor in his later years, back in Wilmington
Photo credit: Collection of Lauranita Dugas

We’ve written more thoroughly on this blog about Robert Rochon Taylor, Robert Robinson Taylor’s son, and his partnership with Julius Rosenwald in Chicago. Robert Taylor the younger helped design and then managed Julius Rosenwald’s pioneering apartment building for African Americans on Chicago’s South Side, and dedicated his life to providing high quality affordable housing for Chicagoans. He wrote a series of articles in the 1930s in the Chicago Defender that laid out his and Rosenwald’s belief in the promise of private capital to redevelop deteriorated, overcrowded urban neighborhoods like the area known as the “Black Belt” in mid-century Chicago.

The history of Pender County and Wilmington, North Carolina is rich and has some interesting connections to the work of Julius Rosenwald and the Rosenwald Fund. Kudos to Claudia Stack, Historic Wilmington and the Rosenwald School alumni and former teachers of North Carolina for organizing these events and keeping the memory alive.

The Rosenwald Schools work in progress screens in Maryland

April 30th, 2014

Historic Takoma and We Are Takoma invited Aviva Kempner (director of The Rosenwald Schools documentary) and Stephanie Deutsch (author of You Need A Schoolhouse and a consultant on our film) to take part an excellent program about a historic school in Takoma Park, Maryland, a suburb of Washington D.C. The event, entitled “Takoma Park’s Black School & The Rosenwald Legacy,” was held at the Takoma Park Community Center on April 29th.

Attendees first heard musical selections by African American composers, played by the Takoma Park band. One of the selections was “Lift Evr’y Voice and Sing,” by James Weldon Johnson, the recipient of the first Rosenwald fellowship. Then, Diana Kohn (the event organizer) introduced the night’s discussion topic. A work in progress excerpt of the upcoming documentary, The Rosenwald Schools, was then screened for the audience.


The Takoma Park Band
Photo credit: The Ciesla Foundation, April 2014

After the screening, Aviva and Stephanie discussed their work and the history of the two-room Rosenwald School that was built in Takoma Park on Geneva Avenue. Alumni from the school were present and shared their memories of attending the school.


Alumni of the Geneva Avenue Rosenwald School
Photo credit: The Ciesla Foundation, April 2014

Thank you to Diana Kohn, Historic Takoma and We Are Takoma for making this event possible.