On January 16, Director Aviva Kempner visited Surburban hospital center Oasis, an educational program geared to senior citizens, to showcase the work in progress of her latest film “The Rosenwald Schools.” The room was filled with smiles and excitement as members, volunteers, and staff paraded into the venue.
Currently over half of public school students in the US are living at or below the poverty line. This leaves the vast majority of those children at a disadvantage in school because academic success is the least of their worries. The Washington Post informs us that “Of the 27 states with highest percentages of student poverty, all but five spent less than the national average of $10,938 per student.” With programs like Head Start on the chopping block, one understands why the gap of academic achievement increases as the school-to-prison pipeline lives on.
Continuing to expect children who live in poverty to perform just as well as privileged children seems to have become counterproductive. While increasing the amount of funds allocated to public schools would be helpful, what would be even more helpful is establishing programs that give disadvantaged children an extra push to level out the educational “playing field”. Training teachers to be able to access the needs of each student is imperative. Additionally, after school programs, learning tools that can be taken home, clean clothes, and toiletries for each child who goes without would help them to feel normal if only during the school day.
Making a point to become aware of the lack of resources within impoverished communities of color, Julius Rosenwald would more than likely have given a sufficient amount of funds to each school. This individualistic approach would allow each school form a unique plan tailored to the needs of their students, unlike No Child Left Behind that ultimately does not help to narrow the achievement gap. The Rosenwald Fund encourages independence and self-reliance while financially assisting each person/program, which are what educational systems in the US desperately need to help disadvantaged students flourish.
To read the Washington Post article, click here.
Erica Marshall, Winter Intern
Art collector and community activist Peggy Cooper Cafritz has been described as “resilient and so voracious.” Five years ago, a fire destroyed her home, as well as her collection of contemporary African and African-American art. The collection contained works from the likes of Kara Walker, Kehinde Wiley, Hank Willis Thomas, and Jacob Lawrence, who received a Rosenwald grant in 1940. The collection had over 300 works and was worth millions of dollars. Instead of dwelling on her tremendous loss, Peggy decided to continue collecting art that she loved. Her new condominium is saturated with artwork, so much so that it can be hard to find the furniture.
To find out more about Peggy Cooper Cafritz, click here.
Ironically on the same day of what would have be Dr. Martin Luther King’s 86th Birthday, Selma is ignored in most categories for Oscar nominations, only getting nominated in the Best Song and Best Picture categories. David Oyelowo is not recognized for his exceptional portrayal of Dr. King and all were surprised when Ava DuVernay did not become the first black woman to be nominated in the Best Director category.
David Oyelowo, photographed on the set of ‘Selma’
Photo Source: www.independent.co.uk
The 87-year old awards show is historically known for having very little diversity amongst the list of nominees as a result of who is allowed to vote. The 6,000 voting members of the Academy of Motion Picture Arts and Sciences are over 90 percent white and over 70 percent male. Most serve life terms, leaving little hope for a multicultural list of nominees in the future.
Despite AMPA votes, this film still stands as the most politically influential of the year, addressing concerns of whether the fight for racial equality is over or if there’s still much more work to be done. Debuting at a very necessary time with the current protests against police brutality, Oyelowo represents Dr. King very well and served as an inspiration for civil rights activists new and old.
For a list of all of the 2015 Oscar nominations go to: http://www.washingtonpost.com/blogs/style-blog/wp/2015/01/15/2015-oscar-nominations-complete-coverage/
Erica Marshall, Winter Intern
For the first time since 1994, all sixty panels from Jacob Lawrence’s Migration of the Negro (commonly known as the Migration Series) will be reunited and displayed in the Museum of Modern Art (MoMA) at the Downtown Gallery in New York City. In an exhibition entitled “One-Way Ticket: Jacob Lawrence’s Migration Series and Other Visions of the Great Movement North,” the display will be open to the public from April until September of 2015. In 2016, the panels will go to the Phillips Collection here in Washington, DC to be shown.
These narrative paintings were created during the early 1940s, a time when many African Americans were migrating from the Jim Crow South to the North. Only 23 years old when creating this work of art, Lawrence used resources provided from the Rosenwald Fund and to travel to the South and witness firsthand the segregation and blatant racism in rural communities to serve as his inspiration for the series. Additionally, he addresses the struggles and triumphs of the migration using his personal experiences in the North as a child and young adult.
Although Julius Rosenwald expressed very little interest in art, his wife Adele Rosenwald Levy collected art and was drawn to Lawrence’s work and more than willing to make a contribution. She specifically loved panel 46, the reason why the even-number panels are in MoMA and the odd-number panels are located here in the Phillips Collection. This acquisition by Adele and the Rosenwald fund helped Lawrence to become the major figure in American art that he is still considered to be today.
For more info about the Migration Series, Jacob Lawrence and how to see the panel displays click below to view this article by the New York Times.
Erica Marshall, Winter Intern
Photographer Gordon Parks, a Rosenwald grant recipient, took a picture of a white woman and her African American nanny sitting at the terminal in an Atlanta airport in 1956. The photo was taken for Life magazine as part of an assignment to document the life of a black family living under segregation. It provides an interesting look into the relationships between woman at that time, but little is known about it. The New York Times is asking their readers to help them solve the mystery of the picture by sharing any information you find about it.
On a National Geographic-Linblad cruise, Stephanie Deutsch got the chance to see Antarctica, where there is a mountain named after Julius Rosenwald. The mountain “forms a distinctive landmark between the heads of the Baldwin and Gallup glaciers in the Queen Maud mountains.” It was discovered by Rear Admiral Richard Byrd in 1929, who named it after Rosenwald. It is an example of how Rosenwald’s influence can be found all over, or, as Aviva Kempner likes to say, “all roads lead to Rosenwald.”
Sixty years ago, on January 7th 1955, famed contralto Marian Anderson made history as the first African American to perform at New York’s Metropolitan Opera. Anderson’s career was launched in the early 1930s when she travelled to Europe on two Rosenwald grants (you can read about her trip to Europe on a previous blog). Her success in Europe followed her back to America, where Anderson became a national icon. She is perhaps best remembered for her historic 1939 concert in front of the Lincoln Memorial.
Marian Anderson, photographed by Gordon Parks in 1943
Photo source: Farm Security Administration via Library of Congress
Anniversary of JR’s death coincides with approval of Michigan Boulevard Garden Apartments renovationJanuary 6th, 2015
Julius Rosenwald in 1917
Photo credit: Library of Congress, Harris & Ewing Collection
The Michigan Boulevard Garden Apartments in 2007
Photo credit: SilverRaven7 (flickr)
After doing a great job as researcher and associate producer of the film for the past three years at The Ciesla Foundation, Michael is leaving today to further his education at New York University. He will be studying Public Administration. He could write a text working at this 501c3 and will be missed. As a loyal Chicago White Sox fan, and having attended the University of Chicago, he was well versed in the history of the Windy City and Julius Rosenwald’s contributions.
Photo credit: The Ciesla Foundation